Bach Bibliography Search Result

Author : Swack, Jeanne
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Type	List	Author	Title[further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Butler, Lynn Edwards; Swack, Jeanne	Madison in May: The American Bach Society Holds its Biennial Meeting May 7-9, 2010. Program and Abstracts. http://www.americanbachsociety.org/Newsletters/BachNotes12.pdf	BachNotesABS		12	Winter 2010	3-9
	2.	Swack, Jeanne	Modular Structure and the Recognition of Ritornello in Bach's Brandenburg Concertos.	BachPerspectives	4		1999	33-53
	3.	Swack, Jeanne	A Comparison of Bach's and Telemann's Use of the Ouverture as Theological Signifier. [BWV 20, 61, 97, 110, 119, 194]	BachPerspectives	6		2007	99-135
	4.	Swack, Jeanne	J. S. Bach's A major flute sonata BWV 1032 revisited.	BachStud	2		1995	154-174
	5.	Swack, Jeanne	The Solo Sonatas of Georg Philipp Telemann: A Study of the Sources and Musical Style. PhD. diss., Yale University, 1988.	diss.			1988
	6.	Swack, Jeanne	Quantz and the Sonata in E flat major for flute and cembalo, BWV 1031.	EarlyM	23	1	Feb 1995	31-53
	7.	Swack, Jeanne R.	On the Origins of the Sonate auf Concertenart.	JAMSoc	46	3	Autumn 1993	369-414
	8.	Swack, Jeanne	The French ouverture as theological signifier in Telemann's 'Jesus sei mein erstes Wort' and 'Christ ist erstanden von der Marter alle'. A paper read at Biennial Meeting of the American Bach Society, April 26-28, 2002 at University of Houston, Rice University Houston, TX. 'J. S. Bach: Liturgy--Music--Theology.'	[p]ABS_Houston			Apr 2002
	9.	Swack, Jeanne	Formal Paradigms, Movement Types, and National Styles in Telemann's Frankfurt Cantata Cycles. A Paper read at the Biennial Meeting of the American Bach Society 'BACH AND HIS GERMAN CONTEMPORARIES', May 7-9, 2010, University of Wisconsin-Madison	[p]ABS_Wisconsin			May 2010
	10.	Swack, Jeanne	Quantz and the Sonata in E-Flat Major for Flute and Cembalo, BWV 1031. A paper read at the American Musicological Society Annual Meeting in Chicago on 7-10 November 1991. Respondent: Robert Marshall.	[p]AMS_Chicago			Nov 1991
	11.	Swack, Jeanne	'Telemann's Chorus': Vocal Forces in Telemann's Frankfurt Cantatas and the Implications for the 'One on a Part' Controversy. A paper read at American Musicological Society National Meeting in Kansas City, Missouri, November 4- 7, 1999: A session on 'Bach, Telemann, and Performing Forces' chaired by Joshua Rifkin.	[p]AMS_Kansas			Nov 1999
	12.	Swack, Jeanne	Anti-Judaism and The Lutheran Cantata: The Cantatas for Judica Sunday of Georg Philipp Telemann. A paper read at the Annual meeting of American Musicological Society in Quebec City, 1-4 November 2007.	[p]AMS_Quebec			Nov 2007		AbstractsPapersAMSoc pp.55-56
	13.	Swack, Jeanne	Anti-Judaism and the Lutheran Cantata: the Cantatas for Judica Sunday of Georg Philipp Telemann. A paper read at the 12th biennial international conference on Baroque music, held at Warsaw University from 26 to 30 July 2006.	[p]BICB_Warsaw			Jul 2006
	14.	Swack, Jeanne	Text and genre in selected cantatas of Georg Philipp Telemann.	StMaterMw	49		2008	159-197
	15.	Swack, Jeanne	Johann Ernst von Sachsen-Weimar als Auftraggeber: Bemerkungen zum Stil der Six Sonates a Violon seul (1715) von Georg Philipp Telemann.	TelemannKonfBer	10		1997	53-70	[cr]Magdeburg1990
	16.	Swack, Jeanne	Die Sonatensammlung als Katalog: Nationalstile und Satztypen in den 'XII Solos, à Violon où Traversiere, avec la Basse chiffrée' (1734) von Georg Philipp Telemann	TelemannKonfBer	11		2006	77-98	[cr]Magdeburg1994
	17.	Swack, Jeanne	'Telemanns Chor': Aufführungspraxis und Stimmensätze in Telemanns Frankfurter Kantaten	TelemannKonfBer	13		2007	295-314	[cr]Magdeburg2000
	18.	Swack, Jeanne	Antijudaismus in Telemanns Kantate zum Sonntag Judica 'Der Kern verdammter Sünder' TVWV 1:303.	TelemannKonfBer	16		2011	256-278